Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the ncept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of munist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case bably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya nstructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the tagonists. It all sts in 1990, when Detective Issa Davydov is celebrating his motion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...